Filosoof Timothy Morton weigert te praten over klimaatverandering, maar blijft de tijd waarin we nu leven de periode van de klimaatverandering noemen. zesde massa-extinctie. De oorzaak van deze nieuwe massa-extinctie is het "run-away effect" waarbij verschillende door de mens veroorzaakte ecologische veranderingen elkaar versterken totdat ze uit de hand lopen. In Inhibition Space #2 Dit terugkoppelingseffect wordt getransponeerd naar het sonische rijk.
The bass clarinet is able to create feedback through the interaction between a speaker standing next to it and two microphones inserted in it. The feedback frequencies can be manipulated through the fingerings on the instruments and their position relative to the speaker. Custom-built software (developed by Dries Tack) then further manipulates the sounds. All this creates a close-knit, hybrid ecology of multidirectional relationships, which can be controlled only partly, between the human performer, his instrument, technological expansions, and the performative space.
