{"id":1942,"date":"2022-09-05T17:09:28","date_gmt":"2022-09-05T15:09:28","guid":{"rendered":"https:\/\/nadarensemble.be\/programs\/doppelganger\/"},"modified":"2023-04-08T16:15:00","modified_gmt":"2023-04-08T14:15:00","slug":"doppelganger","status":"publish","type":"programs","link":"https:\/\/nadarensemble.be\/programs\/doppelganger\/","title":{"rendered":"Doppelg\u00e4nger"},"content":{"rendered":"\n

Programme<\/strong>
Georges M\u00e9li\u00e8s, L\u2019Homme Orchestre (1900)
Simon Steen-Andersen, Study for string instrument #1<\/a> (2007)
Serge Verstockt, A la Recherche de temps (1995)
Simon Steen-Andersen, Study for string instrument #3 <\/a>(2011)
Stefan Prins, Generation Kill<\/a> (2012)
Marx Brothers, Mirror Scene from Duck Soup (1933)
Michael Beil, Exit to enter<\/a> (2013) (Stage direction: Thierry Br\u00fchl)<\/p>\n\n\n\n

Other versions with:
<\/strong>Michael Beil, Key Jack<\/a> (2017)
Pierre Jodlowski, Outer space (2018)
Stefan Prins, Generation Kill – Offspring 1<\/a> (2012)
Simon Steen-Andersen, Study for string instrument #2 (2009)<\/p>\n\n\n\n

Short notes<\/strong>
In his 1900 short film \u201cl\u2019Homme Orchestre\u201d, movie pionier Georges M\u00e9li\u00e8s manages to conjure up six doppelg\u00e4ngers of himself, due to meticulous preparation and hours of montage. With today\u2019s technology, we can (virtually) double ourselves easily. With today\u2019s technology, we can (virtually) double ourselves easily. We chat with friends from other continents via Skype, while on Facebook checking in in our favorite bar around the corner. Meanwhile, we effortlessly maintain several versions of our identity, from our Tinder or LinkedIn profiles to the actual, tangeable person our loved ones know. In Doppelg\u00e4nger, Nadar presents a multi-layered musical and visual discourse, with avatars as main characters. Whereas the pieces by Simon Steen-Andersen and Serge Verstockt set a magic atmosphere, Michael Beil creates a more gloomy wonderland, full of Lynchian alienation. Finally, with Generation Kill, Stefan Prins leads us to the dark side of the wondrous technology.<\/p>\n\n\n\n

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(c) Conrad Schmitz<\/figcaption><\/figure>\n\n\n\n
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(c) Conrad Schmitz<\/figcaption><\/figure>\n\n\n\n
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Doppelganger by Nadar Ensemble at hautepierre theater in Strasbourg for Musica Festival 2019. (c) Henri Vogt<\/figcaption><\/figure>\n\n\n\n
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Doppelganger by Nadar Ensemble at hautepierre theater in Strasbourg for Musica Festival 2019. (c) Henri Vogt<\/figcaption><\/figure>\n<\/figure>\n\n\n\n

Credits<\/strong>
Marieke Berendsen violin, scenography<\/em>
Nico Couck e-guitar<\/em>
Katrien Gaelens flute, game controller<\/em>
Yves Goemaere percussion<\/em>
Robin Goossens business manager<\/em>
Wannes Gonnissen sound<\/em>
Pieter Matthynssens cello, artistic director<\/em>
Elisa Medinilla piano, game controller<\/em>
Thomas Moore game controller, trombone<\/em>
Stefan Prins artistic director<\/em>
Dries Tack clarinet, game controller<\/em>
Veerle Vervoort production<\/em><\/p>\n\n\n\n

The video for A la Recherche du Temps<\/em> was produced by ChampdAction in 2016.
Video and sound: Serge Verstockt & Istvan Leel-\u00f6ssy,
Video art: Koen They.<\/p>\n","protected":false},"featured_media":1965,"template":"","acf":[],"_links":{"self":[{"href":"https:\/\/nadarensemble.be\/wp-json\/wp\/v2\/programs\/1942"}],"collection":[{"href":"https:\/\/nadarensemble.be\/wp-json\/wp\/v2\/programs"}],"about":[{"href":"https:\/\/nadarensemble.be\/wp-json\/wp\/v2\/types\/programs"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/nadarensemble.be\/wp-json\/wp\/v2\/media\/1965"}],"wp:attachment":[{"href":"https:\/\/nadarensemble.be\/wp-json\/wp\/v2\/media?parent=1942"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}