{"id":4064,"date":"2026-03-26T14:06:00","date_gmt":"2026-03-26T13:06:00","guid":{"rendered":"https:\/\/nadarensemble.be\/?post_type=works&#038;p=4064"},"modified":"2026-03-26T14:06:01","modified_gmt":"2026-03-26T13:06:01","slug":"a-late-anthology-of-early-music","status":"publish","type":"works","link":"https:\/\/nadarensemble.be\/nl\/werkt\/a-late-anthology-of-early-music\/","title":{"rendered":"A Late Anthology of Early Music"},"content":{"rendered":"<figure class=\"wp-block-image size-large\"><img fetchpriority=\"high\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/nadarensemble.be\/wp-content\/uploads\/2026\/03\/c-Dimitri-Djuric-1024x683.jpg\" alt=\"\" class=\"wp-image-4065\" srcset=\"https:\/\/nadarensemble.be\/wp-content\/uploads\/2026\/03\/c-Dimitri-Djuric-1024x683.jpg 1024w, https:\/\/nadarensemble.be\/wp-content\/uploads\/2026\/03\/c-Dimitri-Djuric-720x480.jpg 720w, https:\/\/nadarensemble.be\/wp-content\/uploads\/2026\/03\/c-Dimitri-Djuric-768x512.jpg 768w, https:\/\/nadarensemble.be\/wp-content\/uploads\/2026\/03\/c-Dimitri-Djuric-1536x1024.jpg 1536w, https:\/\/nadarensemble.be\/wp-content\/uploads\/2026\/03\/c-Dimitri-Djuric-2048x1366.jpg 2048w, https:\/\/nadarensemble.be\/wp-content\/uploads\/2026\/03\/c-Dimitri-Djuric-18x12.jpg 18w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p>                                                                                                                                                         c Dmitri Djuric<\/p>\n\n\n\n<p>For over a decade, composer and performer Jennifer Walshe has worked with AI, training machine-learning systems on her voice and confronting what it means to become a musical \u201cdata body.\u201d Walshe\u2019s A Late Anthology of Early Music Vol. 1: Ancient to Renaissance, an album of the year in The Wire, The Quietus, and The Irish Times, brings AI to bear on perhaps the least likely candidate &#8211; the early history of Western Music. In A Late Anthology, Walshe maps the development of the network\u2019s understanding of her voice onto the history of early Western music, producing a new alternative tradition, a proposal for a different way of thinking about, listening to and making a history of Western music. &nbsp;<\/p>\n\n\n\n<p>In this performance, Walshe and Nadar Ensemble navigate this brave, new, and very much uncanny world together. Expect covers of Hildegard von Bingen, P\u00e9rotin, Palestrina and John Dowland, via a historically un-informed practice, where humans to listen across the machine-human divide, attempting to understand what little machines understand of them.&nbsp;<\/p>\n\n\n\n<p>Performance: Jennifer Walshe, Nadar Ensemble<\/p>\n\n\n\n<p>Co-production: DE SINGEL, Gaudeamus Festival, Nadar Ensemble<\/p>","protected":false},"featured_media":4063,"template":"","class_list":["post-4064","works","type-works","status-publish","has-post-thumbnail","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/nadarensemble.be\/nl\/wp-json\/wp\/v2\/works\/4064","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/nadarensemble.be\/nl\/wp-json\/wp\/v2\/works"}],"about":[{"href":"https:\/\/nadarensemble.be\/nl\/wp-json\/wp\/v2\/types\/works"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/nadarensemble.be\/nl\/wp-json\/wp\/v2\/media\/4063"}],"wp:attachment":[{"href":"https:\/\/nadarensemble.be\/nl\/wp-json\/wp\/v2\/media?parent=4064"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}