{"id":3861,"date":"2025-02-18T16:37:14","date_gmt":"2025-02-18T15:37:14","guid":{"rendered":"https:\/\/nadarensemble.be\/?post_type=works&#038;p=3861"},"modified":"2025-02-18T16:37:15","modified_gmt":"2025-02-18T15:37:15","slug":"and-i-am-on-stage-again","status":"publish","type":"works","link":"https:\/\/nadarensemble.be\/nl\/werkt\/and-i-am-on-stage-again\/","title":{"rendered":"And I Am On Stage Again"},"content":{"rendered":"<p>Inspired by the work of the renowned Polish artist Tadeusz Kantor and his Theatre of Death, the re-envisioned trombone concerto explores the mechanisms of human memory. Kantor\u2019s belief that \u201cEvery metaphysics must have its physics\u201d is central to the performance, encouraging a reflection on the physicality of memory. The Polish composer, Piotr Peszat, examines Kantor\u2019s ideas 34 years after his death, considering the challenges of memory in today\u2019s world. <\/p>\n\n\n\n<p>As the boundaries between the real and virtual blur, and our memories and emotions increasingly reside in the digital realm, this performance raises an important question: How do we preserve memory in an age where much of it exists beyond the physical?<\/p>\n\n\n\n<p>Thomas Moore, trombone<\/p>\n\n\n\n<p>Wannes Gonnissen, sound<\/p>","protected":false},"featured_media":3860,"template":"","class_list":["post-3861","works","type-works","status-publish","has-post-thumbnail","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/nadarensemble.be\/nl\/wp-json\/wp\/v2\/works\/3861","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/nadarensemble.be\/nl\/wp-json\/wp\/v2\/works"}],"about":[{"href":"https:\/\/nadarensemble.be\/nl\/wp-json\/wp\/v2\/types\/works"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/nadarensemble.be\/nl\/wp-json\/wp\/v2\/media\/3860"}],"wp:attachment":[{"href":"https:\/\/nadarensemble.be\/nl\/wp-json\/wp\/v2\/media?parent=3861"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}